Nora Jones & John Legend, Summertime Blue Review by Rudy Palma In an era where high-gloss collaborations often lean on vocal acrobatics or dramatic overproduction, “Summertime Blue” stands out for its natural laid-back energy. The first recorded duet between Norah Jones Read more
Rachael Calladine, The Game Review by Constance Tucker Rachael Calladine’s latest album, The Game, released under 33 Jazz Records, marks a significant return to her jazz roots after a decade-long hiatus. The album features a blend of original compositions and Read more
Fred Hersch & Rondi Charleston, Suspended in Time Review by Rudy Palma Suspended in Time is a seven-song jazz song cycle representing a unique collaboration between celebrated vocalist-lyricist Rondi Charleston and master pianist-composer Fred Hersch. Released on February 7, 2025, Read more
Maria Puga Lareo, My Universe Review by Rudy Palma Maria Puga Lareo’s My Universe is an exploration of a vocalist who blends jazz, pop, and Brazilian influences into a cohesive and compelling experience. Lareo’s voice is the album’s centerpiece, and Read more
Jane Monheit, Silver Bells Review by Rudy Palma Jane Monheit’s rendition of “Silver Bells” brings a refreshing Latin jazz flair to this holiday classic. Monheit’s approach here is quintessentially her own—effortlessly blending technical ability with emotive appeal, which is at Read more
Rebecca Kilgore, A Little Taste: A Tribute to Dave Frishberg Review by Constance Tucker Rebecca Kilgore’s vocal artistry has always been a source of warmth and light in the jazz world. With A Little Taste: A Tribute to Dave Frishberg, Read more
Karrin Allyson, A Kiss for Brazil Review by Constance Tucker When it comes to the art of vocal jazz, one of the names in the top ten must be Karrin Allyson. With a career that spans over three decades, Allyson Read more
Ian Wardenski, Unfoldings Review by Constance Tucker Ian Wardenski’s Unfoldings is a stunning display of compositional creativness, but it’s Tamara Tucker’s vocal performance that truly elevates this five-movement suite to new heights. As a publication dedicated to the art of Read more
Maria Kim, Misty Blue Review by Constance Tucker Misty Blue by Maria Kim is a fine example of jazz vocal ability. Each track offers a unique example of her exceptional technique, clear diction, and emotional expressiveness. The album opens with Read more
Danette McMahon, No More Excuses Review by Constance Tucker Danette McMahon’s debut album, No More Excuses, is a story of the threads of jazz, where each thread takes on the hues of history, emotion, and songwriting that intertwine to create a Read more
You must be logged in to post a comment.