The London Suede, Antidepressants Review by Rudy Palma Antidepressants, The London Suede’s eleventh studio album, is an album built on forms of raw threads, loose stitches, and exposed lining. The eleven tracks are an emotionally volatile work built on resistance Read more
YUNGBLUD, Idols Review by Rudy Palma There’s a quiet growth at the heart of Idols, YUNGBLUD’s latest and most vocally accomplished album to date. Long celebrated (and sometimes derided) for his explosive energy and chaotic edge, YUNGBLUD now offers something Read more
Dee Dee Bridgewater & Bill Charlap, Elemental Review by Constance Tucker In jazz vocal performance, the standards never change, but the singer’s interpretation must. The longevity of the standard’s history creates reinvention. In Elemental, Dee Dee Bridgewater pairs with the Read more
Nora Jones & John Legend, Summertime Blue Review by Rudy Palma In an era where high-gloss collaborations often lean on vocal acrobatics or dramatic overproduction, “Summertime Blue” stands out for its natural laid-back energy. The first recorded duet between Norah Jones Read more
Lilith Czar, POPSICLE Review by Rudy Palma Lilith Czar’s single, “POPSICLE,” erupts to a declaration of independence with its raw passion and sonic styles delivered with authenticity. Marking her first independent release, “POPSICLE” encapsulates a career-long battle against external expectations, Read more
Ermelinda Cuellar, Under a Lavender Sky Review by Constance Tucker On Under a Lavender Sky, Texan-Peruvian vocalist Ermelinda Cuellar masterfully bridges her dual cultural heritage, blending jazz sophistication with authentic Afro-Peruvian rhythmic expressions. Cuellar’s evocative voice and attention to rhythmic Read more
Samantha Fish, Paper Doll Review by Rudy Palma In Paper Doll, released April 25, 2025, via Rounder Records, Samantha Fish proves once again that the voice is more than a vehicle for melody; it’s a conduit for reckoning, release, and Read more
Eric Johanson, Live In Mississippi Review by John Gaddis Eric Johanson’s live album, Live In Mississippi, recorded at the Ground Zero Blues Club in Biloxi, offers a compelling showcase of blues vocal artistry, capturing the raw energy and emotional depth Read more
Sydney Jo Jackson, “You Should Be Here” Review A vocal performance built on texture, timing, and truth by Constance Tucker From the first breath, Sydney Jo Jackson’s “You Should Be Here“ announces itself as a breakup ballad in vocal storytelling. Read more
Rachael Calladine, The Game Review by Constance Tucker Rachael Calladine’s latest album, The Game, released under 33 Jazz Records, marks a significant return to her jazz roots after a decade-long hiatus. The album features a blend of original compositions and Read more
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