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The Pretty Reckless, For I Am Death Review by Rudy Palma The Pretty Reckless return with a single called “For...

Olivia Dean, The Art of Loving Review by Rudy Palma Across modern soul’s lineage, from Etta James’s confessionals to Amy...

Shelby Means, Shelby Means Review by John Gaddis Shelby Means steps to the mic on Shelby Means not as a...

Kieran Brown, Loving You Review by Constance Tucker Kieran Brown’s debut album, Loving You, introduces us to a vocalist’s love letter...

The London Suede, Antidepressants Review by Rudy Palma Antidepressants, The London Suede’s eleventh studio album, is an album built on...

YUNGBLUD, Idols Review by Rudy Palma There’s a quiet growth at the heart of Idols, YUNGBLUD’s latest and most vocally...

Dee Dee Bridgewater & Bill Charlap, Elemental Review by Constance Tucker In jazz vocal performance, the standards never change, but...

Nora Jones & John Legend, Summertime Blue Review by Rudy Palma In an era where high-gloss collaborations often lean on...